Skip to main content

Long read: The beauty and drama of video games and their clouds

"It's a little bit hard to work out without knowing the altitude of that dragon..."

If you click on a link and make a purchase we may receive a small commission. Read our editorial policy.

Left 4 Dead 2: The Passing


Two Tanks at once! Two of them! I understand that a word like "overkill" could never have a place in a horror game that's always taken pleasure from pitting players against harrowing odds, but still. I'm surprised Valve didn't go the whole hog and layer both Tanks' signature horn music over one another, very slightly out of sync, to create a horrible, unlistenable cacophony.

So, Left 4 Dead 2 add-on The Passing boasts at least one exciting new way for you and your team to get massacred. More appealingly perhaps, it also features a new gun, a new uncommon infected, a new Mutations menu option which offers a different game mode every week, and a brand new campaign with cameos from three of the survivors of the original Left 4 Dead. In case you hadn't heard (brace yourself), the upcoming downloadable content for L4D1 requires a player to sacrifice himself or herself for the group, and The Passing reveals the canonical version of who dies.

All this makes The Passing a nice surprise for the PC gamers who this morning received the content for free, but the question remains of whether it's worth the £5 (well, 560 Microsoft Points or £4.76) it will cost Xbox 360 owners. Let's take a look.

The new campaign itself is set between Dead Centre and Dark Carnival, and follows the L4D2 survivors as they ill-advisedly leave the stock car of Jimmy Gibbs Jr to lower a bridge manned by what's left of the L4D1 team. At just three levels in length, The Passing might be longer than Crash Course, but it's still the shortest campaign in Left 4 Dead 2 by a long shot.

Left 4 Dead campaigns would be better if they ended with someone saying their name. "Phew! We only just got out of there without paying... the Death Toll."

It's also a touch indecisive. On the one hand, you get the impression that the scenic town you're shooting your way through managed to put up more of a fight against the infected than most. Protective barricades are everywhere, and the new Fallen Survivor uncommon infected are people who got turned after gearing up to defend themselves, meaning they're basically zombie piñatas, and drop useful items like pipe bombs or pain pills when you gun them down. The town's also scattered with footlockers containing an infinite amount of one kind of item.

On the other hand, the big set-piece of the first level is a completely untouched outdoor wedding complete with a Witch in a tattered wedding dress. The town itself is also far too pretty to be the logical home of a last stand, and the winding, cobbled streets seem at odds with all the Hamburger Hill footlockers. And as long as we're asking questions, what on Earth are the original game's survivors doing horsing around on a bridge in the Deep South?

Your homework for the weekend is to figure out what Left 4 Dead Rising would play like, and how awesome it would be.

But this is all so much nitpicking. For its short length, The Passing feels less padded than other campaigns in Left 4 Dead 2, and the new additions all work cleverly. That the Fallen Survivor infected run away, rather than towards, you is a devious way of luring players away from the group, and the single clip you get with the M60 means anyone who excitedly snatches it up gets stuck with their secondary weapon after about 60 seconds of excited spraying. Even finding a fixed box containing dozens of molotov cocktails is a mixed blessing- the temptation is to linger next to your new-found armoury, when really you need to plough onwards and use the wealth of flames to quickly cover your back.

The finale's an interesting one, too. It's another gas can collect-a-thon ("Why does nothing have any gas in?", screams Nick, securing my love for him), but this time you're doing it to power the bridge's generator under the watchful eye of the original survivors.