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Long read: The beauty and drama of video games and their clouds

"It's a little bit hard to work out without knowing the altitude of that dragon..."

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Fire Emblem: Shadow Dragon

Lancing in the dark.

First! Nintendo's a strange crowd. If Fire Emblem sales are stupendous anywhere - and they're bound to be reasonable somewhere, or this wouldn't be the eleventh instalment in a series spanning six systems - then it's probably not here in Europe, where the GameCube one was a complete bitch to track down and we still haven't found an actual shop selling the most recent Wii version, Radiant Dawn. And yet here we are celebrating Shadow Dragon - a remake of the original, 18-year-old NES game - months ahead of anyone else in the Western world. Not that we're complaining.

As its many disciples already know, Fire Emblem is a turn-based strategy game lovingly smothered by earnest, swashbuckling little RPG characters, who imbue each procession of movement, attack and equipment inputs across colourful battlefields with more personality, and give those actions greater resonance, than you'll find in Intelligent Systems' other series along the same lines, Advance Wars. This one tells the story of Prince Marth's return from exile to rescue his sister, claim his kingdom, and tame the influence of dragon-forming firestones, and as ever - and as you'd hope - it's a virtuous, matinee quest full of rekindled friendships, helping people in need and trust forged in the fires of polite and well-groomed battle.

Shadow Dragon also spreads all this across the DS' dual screens for the first time - no doubt benefiting from lessons learned in Advance Wars - and it feels right at home. Optional stylus input is slick and intuitive, although the button controls are more familiar and comfortable, and the interface is calmer for the use of two screens, with stats elevated above the hinge and the dancing character sprites with their at-a-glance health-bars scattered around an uncluttered top-down world map below the fold. Cutaway battles and conversations between subtly 3D models are sent off to the top screen, and the animations are as sweet and tactile as ever, from the gallantry of a paladin to the appreciable heft of a knight's flying javelin, and the dancing glory of a Pegasus knight's critical hit.

The Prologue chapters on the Normal difficulty level allow you to recruit more allies than you can on Hard.

As with previous Fire Emblems, although not always with the NES original, Shadow Dragon's core gameplay is notable for its various weapon relationships (most basic of which is the one between standard weapons, with sword beating axe beating lance beating sword), the unpredictable (Whitewings disagreeing with their commander and going AWOL, giving you an unexpected strategic advantage if you can seize it) and including chance encounters (i.e. new recruits with a story to tell, often enlisted by speaking to an identified enemy). Its mixed charm of varied combat options, collect-'em-up character-gathering and mothering units forgives a lot of its dalliances and makes up for the absence of Advance Wars' greater love of terrain and resources.

The mothering has also given Fire Emblem compassionate support from beaming corners of the internet, and they're onto something: you'll protect Shiida, for instance - your blue-haired Pegasus knight - through her fragile infancy, gradually reinforcing her through carefully selected battles until she's capable enough to sit on the front lines, as which point you start to favour her over other units you should probably be spending a bit more time developing. Thanks to the Arenas, where you can grind your units up above the difficulty curve, it's possible to transform her and others into dainty monsters of war. (They're open to abuse, but no more so than, say, doing all those mini-games to excess in Fable II).