Ratchet & Clank: Tools of Destruction Review

Anyone expecting some sort of radical next generation reinvention can think again. Sure, the game engine has been polished up beyond belief, but when it comes down to talking about the actual gameplay it's business as usual for the big eared Lombax and his faithful robot backpack. Just like every Ratchet game since 2002, Tools of Destruction is set across a series of (extremely pretty) intergalactic locations. You land your ship, you wander around, ears flapping, you whack a cluster of dinky looking critters with your wrench, and blast away at the bigger, harder-looking monstrosities that hove into view.

Each and every time you kill these Pixar escapees, they erupt into a sea of twisted metal and bolts (whether they're squishy critters or gigantic mechanised monsters of maximum doom, curiously). You scoop up said scrap metal automagically, and all this chaos and destruction works on benefiting Ratchet on several levels. The more you kill and the more boxes you smash up, the quicker you level the furry fiend up (gaining more hit points every time you do so), the more currency you end up with and the quicker you can augment your weapon's death-dealing abilities.

Part six

For once, the screenshots really do look like that in-game.

But as crushingly familiar as all this probably sounds, there has been a minor tweak to the way you power-up your arsenal. Rather than simply level-up weapons by using them over and over again, you also gather a special crystal-like substance called 'Raritanium', which allows you to spend it at weapons vendors on on improving things like the rate of fire, the amount of damage dealt, as well as special one-off abilities. As initially satisfying as it is to be given a greater degree of control over which weapons to power-up, after a while it feels a little like micromanagement for the sake of it.

In common with all the other Ratchet & Clank games, it once again delivers a few mini-game diversions to keep things fresh and fun, and, for the most part, Tools of Destruction's are well up to scratch. By far the most prevalent is the hacking minigame which involves rolling a ball around a little circuit board, To borrow Tom's Mercury analogy, it's a bit like tilting a tray with a boiled potato on it, moving the Sixaxis pad to roll the metal ball into place and bridge the points to the goal. Fail, and it short circuits, but guide it to the goal and you'll bypass the security. It'll remind you of the pipe puzzles in BioShock, but is more sedate and more fun, not to mention a great way of utilising the motion sensing capabilities of the pad.

Elsewhere in frivolous mini-game land, there's an amusing-if-pointless riff on dancing games, where you get to 'shake yer booty' (by jiggling the pad, no less) while dressed as a peg-legged pirate. On top of that, there's the usual rail grinding stuff that always seems to find its way into Ratchet games somewhere, not to mention little sky-diving segments where you tilt the pad to dodge missiles and so on, and also some utterly spectacular-looking shoot-'em-up levels. Riffing on Rez and Panzer Dragoon, these on-rails sorties allow you to blast freely or lock-on to multiple targets in as thrilling a way imaginable. In full high definition, these majestic sequences are a real treat for the eyes, if a little undemanding in terms of the actual difficulty these pose. Replete with obligatory boss sections, they certainly do their job in providing the requisite eye candy, and remind you that someone really needs to make another spectacular 3D shooter for the current crop of consoles.

Same again, please

Don't you hate it when people don't floss?

As regards the main game, Insomniac knows full well that that core gameplay has been pretty much nailed since the original came out in 2002, so hasn't exactly gone out of its way to meddle with the successful platform-combat formula. The interest value, as we've said, is providing an absolute array of new toys to play with, upgrade and augment, as well as challenging and inventive new creatures to duke it out with. Whether you like it or not, the game keeps dragging you on because there's always something new to discover around the corner - like the next upgrade to your weapon, or a new weapon or gadget entirely. Admittedly, having pulled this trick so many times on us over the past five years, even most of the so-called new weapons are slight variations on what's gone before, but now and then they'll pull something out of the bag that's so different from anything anyone else has done before, you can almost hear them chuckling in expectation of how much fun you're going to have with them.

With an evident rock, paper, scissors approach to the weapon vs enemy design, you'll be effectively tasked with flicking between weapons constantly, webbing up a teleporting enemy one second, then quickly zapping a shielded enemy with a blast of electricity. Solving such problems are all part of the fun, but executed with a control system that's so intuitive that you don't mind the constant swapping around. With over 30 gadgets and weapons to choose from at any one time, it's obvious that the game needed something that could accommodate all this without overwhelming or confusing the player, and - with great credit to Insomniac - it has done it even better this time around than ever before. By hitting triangle, you'll bring up a ring of 10, and can select the one you want by simply highlighting the one you want with the left stick. As you build up your collection of gizmos, this ring spreads to a second and third page, but far from being a confusing mess, simply switching between them with R1 or L1 makes it an extremely slick process to switch with ease during battle. To make it even more of a challenge, the game offers you the choice over whether to pause the action while making the switch or let it carry on. I know which I prefer, but the choice is very much yours.

Gamerscore points: nil

Although you might rightly reflect that Tools of Destruction isn't ever an especially challenging game, there's no doubting its quality or the fun you'll get from blasting your way through all 12-15 hours of it. And even when you're done, you can start over with your experience and upgrades intact and try it again on the unlockable Challenge mode. At the very least, you'll want to gather up all those hard to find gold bolts, max out all your weapons, go for all the skill points, beat the arena challenges, or get all the puzzle pieces. It's just a shame that Sony's achievement system doesn't work like Microsoft's, because in many ways, Ratchet & Clank games were tailor made for the patient, persistent gamer that like to really get their money's worth.

As for how the game fairs on a technical level, well, the leap from PS2 to PS3 is quite mind boggling when you look at Tools of Destruction side by side with one of the previous versions. The boasts about it being comparable to a Pixar movie weren't far off the mark, with easily some of the best next-gen visuals we've had the pleasure of witnessing. The many glorious cut-scenes, in particular are definitely the equal of any CG shorts you may have seen, with a craft and energy that makes you look forward to every single one. Ratchet & Clank games have always had absolutely brilliant cut-scenes, infused with warm humour, great voice acting and bags of goofy charm, but to see it all play out in high-def is quite something.

Next gen schmup action. Lovely.

In-game, too, the game runs incredibly smoothly, with none of the slightly iffy frame rate issues that plagued the game on PS2 (don't believe me? Boot up Ratchet & Clank 3 after playing this and see for yourself how remarkable the difference really is). Every single part of the game's already solid visual appeal has been cranked up several notches, and bears even the closest, most anal scrutiny. Texture detail, lighting, particle effects, explosions - everything in the game world has been brought to life in the way you always hoped it would (even if you were happy with things the way they were, you'll appreciate the changes). As for character models and their animations, well, you couldn't ask for more. The few occasions you get to play as Clank allow you to slow down time, revealing in microscopic detail how beautiful and fluid every motion is of even the most insignificant character. You might even be moved to imagine that you're playing in a living cartoon world - it's that good. It's a real shame, then, that Insomniac still can't seem to figure out how to come up with a third-person camera system that behaves itself. Even with the essential lock-on facility, it still has a tendency to want to look at the floor at inopportune moments, which, given how slick the rest of the game is, is frankly baffling. It's not as if they've not had long enough to fix this perennial bugbear. Luckily, the game's forgiving enough elsewhere for this to not be too serious a problem - but when it does happen, it's jarring to say the least.

Please don't eat me.

It's strange, also, that the previously lauded multiplayer component has been stripped out of its debut appearance on a new platform. On a personal level, playing Ratchet online was never much of a draw anyway, but that was thanks to the PS2's thoroughly annoying online implementation rather than anything wrong with that mode in itself. For those who could be bothered with the faff of PS2 online play, it went down very well, so it's not hard to imagine they will feel a little sore that it's not in this hugely anticipated title. Even more confusing is the fact that it's been developed by the same studio behind Resistance: Fall of Man - a game with a massively popular online element.