If you click on a link and make a purchase we may receive a small commission. Read our editorial policy.

Penny Arcade Adventures: On the Rain-Slick Precipice of Darkness, Episode One

Weathering the storm.

Given that they've spent many years lampooning and criticising the games industry and its resident buffoons, it's a bold step for Penny Arcade creators Mike 'Gabe' Krahulik and Jerry 'Tycho' Holkins to put out a game of their own. Few commentators offer up something of their own to be criticised, and they deserve credit for at least putting their name to something that can be pulled apart with the same savagery they have often displayed. The game in question doesn't quite deserve to be torn to shreds by the ravenous review wolves, but it is a surprisingly clumsy effort that - were it released by anyone else - would probably be mocked mercilessly by Penny Arcade.

The story opens in the city of New Arcadia in 1922. You create your own character from a limited palette of facial features and clothes, and then set about raking your lawn. That's when a giant robot crushes your house, and you set off in pursuit, teaming up with Penny Arcade characters Gabe and Tycho, now reinvented as the dynamic duo behind the Startling Developments Detective Agency. Together you begin tracking the mechanical monstrosity currently leaving sizable footprints all over town. A tale of rancid hobo meat, urine study, sinister mime cults and potty mouth cursing swiftly unfurls before you.

Dialogue is often funny, but the lengthy conversations are mostly for show.

Categorising the end result can be tricky. It's structured a bit like a point-and-click adventure, but plays mostly like an RPG. There are only three small areas in the game, and you manoeuvre your trio around them much as you'd expect. Changes in camera angles are rather cutely disguised as comic panels, so as you reach the limit of one view, you flip to the next panel. Dustbins and crates litter the scenery, and can be smashed open to reveal useful items such as health boosts and other status-changing trinkets. Curiously, for a game so clearly inspired by the RPG genre, there's no shop, so the only way to restock on health kits is to tromp around the same screens, smashing the respawning crates and hoping that the random contents will provide what you need.

Basic control is disappointingly clumsy, with characters lolloping along sluggishly, often getting snagged on scenery or stymied by invisible walls. Getting them to face a specific item or area of interest can also be a fiddle, which becomes a problem when certain essential quest items are tucked away in amongst other clickable screen elements. The game isn't exactly full of puzzles - there's a character who basically tells you where to go, and the game sometimes won't even let you proceed until you've spoken with them - but the few puzzles that are here tend to be tricky because it's easy to miss items, rather than because the puzzle itself is particularly fiendish.

The comic strip style is faithfully recreated, though the animation is basic at best.

There are numerous ongoing quests (or "cases") to follow but few really amount to anything other than long-winded ways of earning small status boosts. Collecting a set number of items, or defeating a set number of enemies, is the norm. Dialogue is plentiful, and often funny, but there are no real branching discussions - mostly you're choosing which funny thing you'd like to say to trigger the same plot-advancing responses. Basically, as both an adventure game and an RPG, it all feels a bit undercooked. This is particularly surprising given Ron "Monkey Island" Gilbert's involvement, but when you strip the game down to its framework it's a disappointingly flimsy construction.

You've probably noticed that I've got this far and haven't really commented on the combat yet. That's because combat is by far the most dominant gameplay element, and also the most problematic. The game uses a system that borrows elements from both Final Fantasy and Paper Mario. It's real-time, and each character has a timer which ticks around until they can attack again. Once it's full, you can either unleash a standard attack on an enemy, or wait for the special attack meter to fill up. Special attacks involve mashing or matching buttons to deliver extra damage, with more powerful variations earned as you level up. They can also be combined into team attacks if everyone has a full special meter. And of course you have the obligatory inventory options, from which you can select healing items, status items or special items which either damage or distract your foes. All of these rely on very small, fiddly icons and menus which will be all but unreadable to those playing on standard definition TVs. Fair warning.

From Assassin's Creed to Zoo Tycoon, we welcome all gamers

Eurogamer welcomes videogamers of all types, so sign in and join our community!

Find out how we conduct our reviews by reading our review policy.

In this article
Follow a topic and we'll email you when we write an article about it.
Related topics
About the Author
Dan Whitehead avatar

Dan Whitehead


Dan has been writing for Eurogamer since 2006 and specialises in RPGs, shooters and games for children. His bestest game ever is Julian Gollop's Chaos.