Gauntlet: Seven Sorrows Review

Upon playing Gauntlet: Seven Sorrows alone for any length of time, it's not unlikely that you'll come to the same conclusions I did of the original Gauntlet - it's boring, and, if you're playing it on anything other than easy, it's hard. With the traditional choice of Warrior, Elf, Valkyrie and Wizard, if you're determined to play your way through the game solo you'll either have to pick the Warrior or be prepared to die repeatedly. Indeed, the Wizard is completely ineffectual on his own, as he relies on his projectile attack, a cute if less than useful nod to the original game's attacks, and his mana blasts, attacks shared by the others, who back them up with a far beefier range of hacks and slashes. You can also block, a skill that only becomes particularly useful if you can ensure your back is covered (therefore, in single-player, effectively useless), but if you get yourself into a groove, you can find yourself happily mowing through hundreds of enemies and destroying generators, using several 'special moves' and pleasing combination attacks, both of which you can purchase between levels using gold claimed from chests - with each chest a test to see if you can you avoid the appearance of (completely incongruous series stalwart) Death, who can only be destroyed, for some reason, with an mana blast.

You won't ever hear 'ELF SHOT THE FOOD', as it's impossible. Some might argue this just isn't in the spirit of Gauntlet.

Gauntlet: Seven Sorrows had a troubled gestation. Both project lead John Romero(!) and lead designer J.E. Sawyer left the project early on, and it's interesting to note that while Romero at least manages a 'Special Thanks' listing in the credits, Sawyer is nowhere to be seen, but more pertinently their departure is a hint to the schizophrenic nature of Seven Sorrow's design. Originally intended to lean heavily in the direction of the Baldur's Gate: Dark Alliance series of action RPGs, the watered down result - Gauntlet where you buy combos and gain levels increasing your damage, health, and mana regeneration - only serves to make the game more frustrating in solo mode, as you find yourself either having to replay levels endlessly to gain levels or face bashing your head against difficulty spikes with a depressing regularity.

While we can't be sure exactly how much Romero and Sawyer contributed to the final product, if the RPG stylings were Sawyer's legacy, then we can be fairly sure that the level design is Romero's. The levels are often beautiful, with the glowing ethereal final levels worth particular mention, but are linear to the point of stupefaction, a far cry from the original Gauntlet's horrifyingly mazed contortions. The very lowest point of design is saved for the very end - with a final boss (and trust me here when I say I'm not spoiling anything) whose chosen to live in an area that houses five siege-grade ballistas all pointing at his head. I'm sure there are more sensible places to stand if you're the ultimate evil.

However, much like the original Gauntlet, the only way to play this is in multiplayer. Midway seems to be one of the few companies that remembers (realises?) that the PS2 has a broadband adaptor and offers what would be a competent game for up to four (North American) players were it not crippled by lag, and the mistake, or decision, to include a feature that's been with Gauntlet since day one. One for all, and all for one.

The Narrator sounds like Brian Blessed, making sound bites like 'VALKYRIE IS ABOUT TO DIE' extra annoying.

If one player decides to be a jerk, sadly more often than not on the internet, they can hold the game up forever by standing at one side of the screen and not moving. Indeed, if you find yourself with a sliver of health, and a tasty t-bone steak tantalisingly out of your grasp, you'd better hope that the battle swings your way, or be prepared to die, and wait until your team-mates reach the next respawn point. These flaws break the online game so much that it's pointless, particularly compared to the single-machine two-player mode. While little more than a brainless dungeon hack, the teamwork requirements and exciting action make blasting through the game with someone else a great use of a lazy Sunday afternoon - the main game clocking in at a mere 3-5 hours.