What Remains of Edith Finch Features

I half remember a brilliant review from the old, old days - which in games probably means it was around ten years ago at most. This review was for a shooter sequel of some kind, back in that period when designers were starting to experiment with putting physics objects into their games for the first time. The shooting was fine in this particular game, the review stated, but the environment was a problem. All those physics objects, those parts of the background of games which were suddenly, emphatically, promoted to being parts of the foreground. They got underfoot. They got in the way. They turned a John Woo ballet into a prolonged Laurel and Hardy pratfall. I wish I could remember the game, but in truth, the date alone would do. The date that games first encountered things - properly encountered them - and then discovered that games and things had to coexist.

There are a lot of books in the Finch mansion. Books on the shelves. Books on the floors. Books on chairs. Books over doors. If you find your way into the kitchen - if you find it by fighting your way past stacks of books, naturally - you'll find that there are books all over the kitchen, too. I don't remember checking the sink, but there are books everywhere else, piled on work tops and spread over counters.

FeatureWhat Remains of Edith Finch merges whimsy and woe

The Unfinished Swan dev's follow-up promises plenty of peculiar tales.

What Remains of Edith Finch, the upcoming title by The Unfinished Swan developer Giant Sparrow, is about a young woman exploring her family abode. It's a strange ramshackle concoction predicated on one ludicrous notion: that once a family member dies their room shall remain forever untouched. Naturally this leads to diminishing real estate opportunities, but the Finch lot is nothing if not resourceful, continually building new additions to this most haunted of tombs.