Devoted followers of all things role-playing have been well served by the long-running battle between good and evil, and Rise of the Argonauts frames its re-imagining of Jason and his quest for the Golden Fleece in the starkest of traditional contrasts: Jason, already king and faithful protector of Iolcus, is set on his path by the murder of his new wife, Alceme, on their wedding day, by the suitably putrid, Hecate-worshipping Blacktongues.
It isn't long, however, before proceedings are sprinkled with welcome ambiguity. Jason seeks the Fleece not to serve the usual notions of loyalty, honour or selflessness but simply to resurrect Alceme, and soon finds himself in league with the gods Ares, Hermes, Apollo and Athena, all of whom will see their own interests served by his decision to abandon his people to the regency of Pelias, whose manner and dress sense are enough to illustrate Jason's rather daft decision, even for players who aren't aware of his role in the original Greek mythology from which Rise of the Argonauts borrows most of its cast.
After a fevered introduction to combat, Jason is initially consigned to trotting through the vast halls of his palace and the surrounding village passing on news to the bereaved families of guards killed in the initial Blacktongue assault, in-between listening to fortune-tellers, conversing with servants, noblemen-and-women and his guards about his duties to Iolcus (the ones he's not bothering with for the next ten hours), and the virtues of the gods and their various dominions. Apart from some sparring, there's little besides running around and talking for over an hour, before Jason finally takes delivery of his ship, the Argo, and sets off on a course to recruit the gods' descendants so he can locate the Fleece.