Yesterday we talked about Overwatch's PlayStation 4 Pro patch, which only adds superficial improvements. Today, it's the turn of Batman: Return to Arkham - a game that boosts performance but nothing else. It's as if developer Virtuos simply pulled a switch to enable PS4 Pro's additional CPU and GPU power on its base title with little regard as to what would actually happen. The results are predictably variable and rather poor overall, but it may well address unfinished business from our PlayStation 4 Pro review - just what would happen if users had the ability to enable the full resources of the new hardware on existing PS4 titles?
With the release of Batman: Return to Arkham bringing Rocksteady's first two Batman games to PS4 and Xbox One, we felt it might be time to take a look back and get a sense of the studio's achievements with these wonderful superhero adventures.
It's Wednesday, and that can only mean one thing: I'm back with yet another selection of the finest discount gaming offers to tempt your wallet with. Throughout the week you can keep your finger on the pulse of cut price gaming by checking SavyGamer.co.uk. Read on to find out what's cheap this week.
Pretty much since I was a child, video games have been full of jerks. Donkey Kong? What a prick. Super Mario Kart? Full of jerks. I wasn't that familiar with the expression "climb a wall of dicks" when I was 10 years old, but if I had been then I would have directed it in Princess Peach's direction almost as often as I burst into tears because she pipped me to the line on Rainbow Road.
Later this year PEGI will become the legally enforceable ratings body for games in the UK, completely replacing the BBFC. Wherever creative content is legislated in this way, friction is inevitable. And almost always, controversy arises because a rating is seen to be making it too easy for inappropriate material to reach the jam-stained fingers of our innocent children.
Last week's release of the Game of the Year edition of Batman: Arkham Asylum saw the debut of the brand new TriOviz for Games 3D system.
If you'd told me in January that my favourite game of the year would be Batman, I would probably have scoffed in your face. Scoffed. If you'd told me that the game in question wouldn't just be a great superhero game, but simply a great game, I might have even ROFLed with a side order of LMAO. Superhero games, particularly those drawn from the DC Comics properties, just aren't supposed to reach thsse giddy heights.
On the one hand, there's something maddening about turning up to Eidos' Wimbledon headquarters to play Batman: Arkham Asylum and discovering that it's another two challenge rooms - self-contained, unlockable leaderboard-based action set pieces - that I'm here to play, rather than the single-player story mode itself. But on the other, there's something unusually reassuring about it: I'm desperate to play Batman: Arkham Asylum, a licensed superhero videogame. This may actually be a first.
In some ways, Batman is the comic book hero most suited to videogames. Unlike Superman, he's not irritatingly invulnerable; unlike the Hulk, no-one expects him to do anything too CPU-intensive, like destroy an entire city; most importantly, unlike Spider-Man, he isn't saddled with a phoned-in Tobey Maguire voice track that makes him sound like he's battling evil while strung out on Co-codamol. Instead, all Batman needs is a natty cape, two fists, and access to the world's most elaborately deadly issue of the Innovations catalogue.
I had the same reaction, when I heard about Arkham Asylum, as I did when I heard about the Watchmen game. A defensive reflex, based on the mistaken assumption that this new game was going to be a baffling gamification of Grant Morrison's excellent 1989 graphic novel. Developer Rocksteady is understandably keen to distance itself from that assumption. Arkham Asylum draws from more than one Batman, but it's definitely a DC Batman. Despite a fashionably darker look, Arkham Asylum has its strongest links with the excellent early 90s cartoon, Batman: The Animated Series.