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Captain America: Super Soldier

Patriot game.

Sega's previous ventures into the Marvel movie universe have been grim experiences. Both Iron Man and Thor were defeated by clumsy control maps, uninspired gameplay and a generally cheap and hurried feel. Now it's fellow Avenger Captain America's turn to step up to the joypad. The result doesn't tip the balance for Sega's superhero sideline, but it does give it a good shove in the right direction.

A large part of this small victory is down to one simple decision on the part of developer Next Level Games: they've picked the best template. Super Soldier is so blatantly inspired by Batman: Arkham Asylum (with a dash of Prince of Persia for good measure) that the game almost can't help being lifted above its wretched peers.

Where Batman was free to roam backwards and forwards, Metroid-style, through Arkham's gloomy halls and foreboding exteriors, so Cap is able to pass freely between areas as he explores the castle of Baron Zemo. Batman had a system of caves and tunnels that allowed him to quickly return to previously explored locations; Cap uses an interconnecting sewer map.

And just as Batman could slip into Detective Vision to survey his surroundings, so Cap uses his military genius to provide Tactical Vision, highlighting the bars, ladders and ledges he can use to springboard his way around the level.

The combat is even more blatant, a simple yet strategic brawling system that allows you to take on groups of enemies, from simple grunts to snipers and armoured monstrosities, with intuitive flurries of kicks, somersaults and bone-jarring special moves. You direct Cap's attention using the right stick, while quick jabs of face and shoulder buttons select the type of attack you want.

Chris Evans (no, not that one) supplies Cap's voice.

It's never as fluid or muscular as Batman, but it's a very close facsimile and the hand-to-hand fighting is the game's best feature as a result. Cap's iconic shield is used intelligently, able to deflect bullets back to their source and protect against area attacks while also clonking foes in the face for a knockout blow or pinballing from enemy to enemy after a quick throw. It's incredibly effective, but not to the extent that it unbalances the game. You'll use it a lot, and enjoy it every time you do, but you can't use it as a crutch in every encounter.

It's in the bruising two-fisted fighting that the game really stands out from the drab action of Iron Man and Thor. The sight of Captain America springing backwards before taking out steampunk Hydra stormtroopers with well-placed roundhouse kicks, then lunging back again with a slow-motion shield strike to the head of some hulking flamethrower-sporting beast, is pure comic book joy. This is how a Captain America game should look, and while the game as a whole only finds this pulse occasionally, the fact that it even has a pulse is cause for minor celebration from Marvel fans despairing of Sega's stewardship of the videogame series.

Platforming and exploration are less successful. Cap's agility outside of combat takes a serious hit, and he's unable to duck or jump in any meaningful manner while wandering around. This means that the sporadic acrobatic sections are reduced to a single-button version of Prince of Persia's parkour runs. You stand in the highlighted area, then press the A button whenever Cap hits the next landing point. There's no way to miss, no way to fall off and the game won't even let you turn around or drop for most of the time. It's thin to the point of anorexia - gameplay that barely even counts as such.

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About the Author
Dan Whitehead avatar

Dan Whitehead


Dan has been writing for Eurogamer since 2006 and specialises in RPGs, shooters and games for children. His bestest game ever is Julian Gollop's Chaos.

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