Valkyria Chronicles II

As you can only take a small number of units into each mission, you must choose your team carefully. Scouts, with their generous Command Point gauges, can cover a lot of ground, but by carrying rifles the number of shots that can be made per move is limited. As a result it's wise to support them with Troopers, whose machine-gun fire can decimate enemy numbers. Lancers' with their missile launchers are necessary for taking out enemy tanks, while Engineers will keep them well-stocked with ammunition while providing medical support if necessary. Experience earned from missions can be spent on upgrading each class, while money earned can be used to buy better equipment for both infantry and Class G's heavily customisable tank.

Unlike the first Valkyria Chronicles, the majority of the sequel takes place in and around the single location of Lanseal Military Academy. Avan, on enrolling at the start of the game, joins the lowest-achieving students in Class G. It's this collection of miscreants who form your squadron, although you can only take a handful of them into battle at a time. The high-school drama, which appears heavily influenced by the most recent Persona, is enjoyable, but lacks the bite and punch of its more serious predecessor. By focusing on a group of 17-year-old high school students, this sequel forgoes the variety of characters seen in the first game, even as the number of personalities, and amount of exposition given to each has ballooned.

The story is told in the stylised, low budget-style of so many Japanese strategy games, via short narrative vignettes featuring 2D still portraits of the characters involved, overlaid with comic book word balloons to house their dialogue. SEGA injects these sequences with energy by having the frames in which the portraits sit bounce around the screen in a rudimentary approximation of the action or temperament of the person speaking. Should two characters bump into each other in a corridor then their two portraits knock together on-screen before the speech bubbles pop up to comment on the action. It's a simple technique but through some thoughtful execution helps bring the economical approach to storytelling to life.

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Attribution

As the game progresses you become attached to the members of Class G, firstly through the narrative asides that pummel you in-between each mission - of which there are far too many - and then via the war stories you develop with each on the field. Even the hub area of Lanseal itself, little more than an obfuscated menu screen, becomes a character of its own, and the rhythm of school life provides a constant, comforting beat to which progress marches.

Missions are divided into three types: 'Story', which progress the game's narrative, 'Key', which must be cleared in order to access the next Story Mission, and 'Free', optional extras useful for earning extra money or experience. Throughout the game the same clutch of maps is used time and time again, and despite the fact these are broken into different areas, allowing you to split your team up tactically, they eventually become repetitive, the different combinations of area effects or enemy types in each iteration doing little to change the strategy required to beat each.

The move to PSP is clearly for the benefit of the Japanese community, and the Monster Hunter-esque ad-hoc multiplayer modes, both co-operative and combative, will be of limited use to all but the most dedicated Westerner. The switch from console to handheld has also demanded the removal of the graphical effects that made the first game so visually appealing, as well as, of course, restricting the gamer to the central hub of Lanseal itself from the need for a smaller number of locations.