E3: Mass Effect 2 Preview
Shepard's delight.
By the end of BioWare's first Mass Effect game, regardless of the gender, facial features, moral alignment and sexual predilections of your own personal Commander Shepard (ours was a half-hearted moral fence-sitter with a tendency to try and screw anything that moved, despite the fact that he looked like an ageing sixth-form college lecturer), they were blasting into space as a fully-fledged Spectre agent, ready to kick off some serious intergalactic shenanigans. They were a pretty big wheel down at the cracker factory, in other words, but sometime soon after that - according to the sequel's enigmatic announcement trailer, at least - they promptly dropped dead.
Or did they? The answer to that one's a little bit confusing. BioWare used an E3 developer presentation to reveal that Shepard's definitely who you'll be playing as in Mass Effect 2, but they also wrapped things up by showing us his death - or at least one of them. Twisting through space as the Normandy explodes in the distance, Shepard's grappling with his punctured spacesuit as he's dragged down into a nearby planet's atmosphere. Things look bad, then, and it's his own stupid fault, too, having been given a choice to flee in a cosy shuttlepod or stay behind to aid in the evacuation as his ship is lanced apart from above. It's the sort of decision that, for a player character, almost always leads to a glorious last-minute rescue in videogames - a fake-out and a rousing hurrah as you cheerily wobble back from the edge of the impossible. But here there is no rescue, and not much wobbling, except if you count your lower lip: Shepard falls and struggles and then dies. The end.
It's one potential death out of many, apparently: deadly treats liberally sprinkled throughout the campaign, all of them much more than a simple 'game over' screen and option to restart, each one an elaborate cinematic and a strangely satisfying conclusion. So, to recap, Shepard isn't dead yet, but you'll have to work extra hard throughout Mass Effect 2 to keep him alive - and you'll be doing that in a game which the developer is promising will be a lot darker and meaner, and a lot more refined, than the first outing.

Mixed emotions watching the Normandy explode: always liked flying her, but I won't miss getting lost and ending up in the elevator by mistake.
Having taken on giant sentient spaceships bent on wiping out the galaxy on your last mission, for Mass Effect 2, things are a little more personal. All around the galaxy, humans are disappearing, and Shepard wants to know why, even if the answer is that they've just popped down to Bluewater for the afternoon to pick up some Crocs. They haven't, of course - everyone in the future wears Converse sandals - and Shepard soon finds himself joining up with the shadowy Cerberus organisation to dig a little deeper, and heading off on a suicide mission.
To do that, he'll need to gather together a gang of intergalactic hard nuts to race about the galaxy, occasionally riding around in a cheeky little tank and handing out brutal justice and vague, inter-species sexy-times. A noble venture, and one that our E3 demo illustrated by sending him into a glossy skyscraper city to track down a fishy-faced chap named Thane, who just happens to be the galaxy's greatest killer - outside of unattended step-ladders, naturally.
BioWare has seized the chance to fix a few of the tingling annoyances with the original game. The inventory and item-management system has been completely redesigned, apparently, although it isn't ready to be shown yet, and the comically slow elevators of the first title have been replaced with fancy neon-wireframe animations of you zipping from one location to the next - a dashing bit of misdirection, perhaps, but one that now covers some significantly faster loading.
More importantly, the dialogue system has been tweaked. Conversations and choices are now integrated much more smoothly into the shockingly stylish cinematics, and the butting-in system that was hinted at but never delivered in the first Mass Effect has been implemented, an occasional option to cut someone short now available whenever a left trigger symbol pops up. It works wonders in terms of making the exposition edgier and more natural, but be careful wielding your new powers of interjection: sometimes you'll find yourself racing in with nothing but a snide rebuttal, but on one occasion in the demo, Shepard ends a chat by pushing his conversation partner out of a skyscraper window.
Fighting has also been ever so gently retooled. The power wheel is still in place for selecting guns and biotic attacks, but you'll no longer need to pause the action to make selections. Weapons have been bolstered with nine new classes, including heavy options like a chunky new homing rocket launcher, and there's a raft of new biotics, all of which play on the improved physics engine, which sees the demo battle, taking place on the roof of a giant skyscraper, playing out in an impromptu pinball session of explosions, forcefields and cart-wheeling corpses. Team tactics are now contextual - point one of your squad at an enemy or cover and they'll know what to do - and there's a new body-part hit-detection system too, which allows you to take a robot's head off in a shower of sparks, or cut someone's legs out from under them.

To suggest the wealth of new planets, we're shown a shot of Shepard standing in front of a bloomy sky and some palm trees. Mexican cabana DLC confirmed.
Finally, the exploration element has been filled out. The galaxy no longer closes for business when the shutters of the story come down, and you'll have an added impetus to explore this time around. Along with scanning planets manually for a landing spot by moving a cursor over the surface, BioWare promises you'll also be visiting a greater variety of worlds, suggesting that you won't spend a lot of your free time touching down on a succession of differently coloured ashtrays.
With the rough edges knocked off the mechanics, and a lot more skill on display at handling conversations and framing the action, Mass Effect 2 seems to be balancing refinement with continuity as it heads to release. BioWare feels that even if you didn't play through the first game, this is still an ideal jumping in point, but more exciting is the fact that seasoned travellers can import their old saves wholesale, leaping into a narrative that acknowledges and incorporates every moral decision, every team-member death, and every unplanned burst of casual sex. Of course, that may mean you're stuck exploring the stars for a second time with a face like an ageing sixth-form college lecturer, but at least you've only got yourself to blame for that, eh?
Mass Effect 2 is due out for PC and Xbox 360 in early 2010.
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Comments (33) Latest comment 3 years ago
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"but you'll no longer need to pause the action to make selections"
You don't need to, or you can't? The pausing was handy sometimes.
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AWE
SOME
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On the Gamespot E3 Live demo yesterday they showed the skill wheel. It's still there and you can still pause in combat to make selections.
Also, I'm so pumped for ME2, but I'm trying to avoid everything about it in the hope that it'll be as awesome as it can be when I get my hands on it.
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Guess it's an excuse to play through a third time and set him right, I suppose...
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Conrad Verner as well - "THIS IS HOW A GUN IN YOUR FACE FEELS!"
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Easily the game I want most. The refinements sound like exactly what I wanted, and the technical improvements bode well too. Awesome.
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"Because it's a big stupid jellyfish!"
I don't know why, but that makes me crack up every time.
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They've peddled that word so much I don't actually believe them any more. Nor do I understand what they actually mean by it.
What? Another reference to rape as they've done in Generic Age?
P.S. I'm still pre-ordering both games.
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BLAM!
Excellent Judge Dredd-esque moment, looking forward to more.
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on my 6th play through at the moment
i've normally been a real goody bloody two shoes, but not this time. This time i've been a total fucker.
I can't tell you how good it feels.
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I still hate the choice at the end though. You can't win
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There must be more to it because it really doesn't make any sense as described in the article.
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That was what made the last game's combat bearable, the tactical aspect where you could pause and give orders to your teammates. With that lost, this is just an action game with rpg elements...
Edit: Nevermind.
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I distinctly remember selecting something like "Oh, SHUT UP!" in the first game which prompted my Shepard to pull her pistol and shoot the guy in the head. This isn't a new feature...
-edit-
Oh, Dizzy already mentioned this.
Anyway, sounds fantastic!
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Can't wait for the sequel, just hope people don't fill the internet with impossible to evade spoilers!!!
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The E3 live demo on Gamespot yesterday involved BioWare founders Ray Muzyka and Greg Zeschuk, who said that uncharted worlds are still in, but they feel a lot more unique and handcrafted.
/is optimistic.
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I reckon that it will probably have something to do with the support characters. I.e. if wrex where to die at some point in the game (or the previous one) and would have saved your life in the end if he didn't.