Assassin's Creed Interview

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Eurogamer: It seems as though we're mainly seeing stuff we've seen before at UbiDays. There's a demo coming in July - can give you us any idea of what to expect?

Jade Raymond: First, [the new trailer] did show off some of the other cities that you haven't seen before. So if you pay attention to the trailer you'll see we showed some shots in Damascus, which hasn't been shown before, and we showed Jerusalem, and we showed Acre. But we're really saving the next big hands-on and demo and live playing and everything else for mid-July, so in the US we're going to have a big event that's assassins-only at E3, and then we're organising a thing also for Europe.

Eurogamer: There's lots of rumours about the storyline. When we interviewed Patrice [Désilets, creative director] at E3 last year, he said the actual assassin's creed felt the world was an illusion. Is the world we're seeing in Assassin's Creed some sort of illusion?

Jade Raymond: I can't comment on that [laughs] unfortunately. We will be able to tell you... there is something else there. I think we have been dropping some pretty obvious hints. There's been some people talking about it. I think if you really do your research, if you pay attention to the stuff we've shown and some of the more in-depth articles you can probably piece it together, but we'll be giving away some of the stuff we haven't been telling in a few months.

The UbiDays content was reportedly all in-game.

Eurogamer: You mentioned yesterday a conspiracy between some of the targets you're assassinating that might feed into present-day events. Is there any link to any of Ubisoft's other series?

Jade Raymond: No, there isn't. The thing we're doing with Assassin's Creed is we created a brand new franchise and that means that we wanted to for a change not go, 'oh, the first game was a success - what do you do with the second game?' if you're so lucky, right? We want to make a real plan where you can make a game, you make a book, you know, maybe other types of portable games that have complementary experiences, you can make a movie, if the game does well you can make a sequel - and not have it be we have to scratch our heads about a framework that it has to fit into from the start. So it's not any other Ubisoft games; it's really like stuff that I can't talk about [laughs]. The conspiracy is linked to the stuff I can't talk about.

Eurogamer: Speaking of other Ubisoft games, one game that a certain mechanic seems quite similar to is Splinter Cell: Conviction - obviously another Montreal game, which has slipping in and out of the crowd as a key part of the game. Are you guys sharing technology, or working together in some way?

Jade Raymond: One would think, but actually we created a brand new engine from scratch, which is going to be used by some other projects at Ubisoft, but Splinter Cell is based on the Splinter Cell engine so it's not at all the same technology. You know, crowd gameplay was one of the big promises of the next-gen. We all thought, 'ok, what can we do?' So, actually, surprisingly, we came up with some of the same ideas in terms of what crowd gameplay is, but in terms of the experience and the scope and being an assassin in the Third Crusade, and having loads people on screen is very different to what you're going to experience being a fugitive in the small areas that's really based on physics and interaction and those kinds of things [that Splinter Cell offers].

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